In a fast-changing Australia, where new cultures and identities weave fresh threads into our ever fading national fabric, the quiet streets of Gulgong offer something rare: a living memory of our country’s colonial foundations.
Once roaring with the fever of gold and the voices of bush poets, this small New South Wales town now stands as a fragile monument to a bygone era. As the echoes of horse hooves fade beneath the hum of modern life, Gulgong reminds us of the stories of our past. Gritty, resilient, and deeply Australian, it is a past that must be cherished, lest it slip entirely into folklore. In towns like this, we see not just where we came from, but what we risk forgetting.
We see it throughout the world: towns caught in time in a world where our colonial heritage is becoming a museum piece, gazed upon as an oddity, no more than a fossil frozen in time ............
Read more: The Vanishing Voice of Old Australia
“Every tyrant must begin by claiming to have what his victims respect and to give what they want. The worst of all public dangers is the committee of public safety.”
— C.S. Lewis
In 2026, we are being told, once again, that it is for our own good.
We are told to obey the experts. To trust the committees. To believe that restrictions are signs of enlightened governance. But history tells another story: one where the language of safety becomes the camouflage of control. Where fear is not conquered but cultivated. And where God is replaced, not with reason, but with rulers.
We have seen governments lock us down, isolate the elderly, muzzle dissent, and silence the young - not with reasoned debate, but with edicts. Under the guise of public safety, we are being reshaped. Social cohesion is no longer built around families, churches, or communities - but around bureaucracies, panels, and platforms.
This is not safety. This is sedation.When Governments Say ‘It’s For Your Own Good. ' rest assured, it is probably not.
While the new aces argue about the runway, the old crew still knows how to land a plane.
What if you could hold one single moment from your entire life, just one, to carry with you forever? Which one would it be? The answer may tell us more about who we are than any story we tell ourselves.
There’s a photograph in your mind, faded, perhaps, but alive...a moment from your past that never quite lets go. Maybe it’s the day you first rode a bike, the night you whispered secrets to a friend, or the first time you saw your newborn child. Why do these moments cling, while others vanish without a trace?
What moments shape us, and what will our children and grandchildren hold onto in a noisy world?
That is my question today. What memories are we leaving to our new generation? Lockdowns? Climate Change? Global Warming? Guilt? What have we allowed to happen?
Read more: Old Pilots, New Aces, and Why Childhood Matters - The Flight of the Navigator
By Dr. Aria Solidarity-Jones, PhD (Oxon), MA, BA (Hons), Certified Ally (Gold Tier)
Published in The Progressive Ploughshare and simultaneously in the Decolonial Dustbowl Review
At first glance, The Werewolves of Dusty Gulch presents itself as whimsical Australiana: a vampire emu plumber, a wallaby apprentice with titanium knees, a hacked rolling pin broadcasting Honklander propaganda, and a clandestine lycanthropic initiative known as Project Howl.
This reading is, of course, profoundly naive.
Beneath its veneer of rustic absurdity lies a deeply troubling text that reproduces settler-colonial assumptions through the intersecting frameworks of eco-socialism, critical animal studies, post-human hydrological justice, infrastructure decoloniality, and what I have elsewhere termed plumbocentrism.
Let us begin with the ducks.
The so-called "Dusty Nine" are not merely ducks.
They are water-adjacent beings occupying a liminal ecological space that has historically resisted anthropocentric categorisation. Their "professional elimination" is framed as mystery rather than atrocity, thereby erasing both their agency and their quack-based lived experience.
Read more: Howling into the Abyss of Settler-Colonial Absurdism
By Roderick “Whiskers” McNibble
Chief Investigative Correspondent, Dusty Gulch Gazette
(Expendable, slightly chewed, currently stress-munching popcorn)
It began with murder.
One ordinary evening, the Dusty Nine were bickering over breadcrumbs beside the pond as only ducks can.
By sunrise... there were only feathers.
No blood. No struggle. No heroic last stand.
The Dusty Nine had not been eaten.
They had not been chased. They had been... eliminated.
Professionally. Surgically. Terrifyingly.
Whatever had visited Dusty Gulch that night had not come looking for dinner.
It had come looking for ducks. And the story I discovered will astonish all of our readers, even hardened boom bang bash watchers...
Read more: The Werewolves of Dusty Gulch - and a Vampire Emu with a Secret
The first thing he noticed was the silence.
Not the silence of an empty harbour. Sydney had never been a quiet place. Even in the deepest hours of night there was always a murmur - the distant pulse of traffic, the whisper of footsteps along the water, the restless heartbeat of a city that refused to sleep.
But this was different.
This was the silence that comes when the voices have gone.
The fog drifted across the harbour, thick and silver, softening the lights of Circular Quay until the city seemed like a memory of itself. The towers stood above the water, shining and new, but beneath them lay another Sydney - a city of timber, stone, sweat and dreams.
A city built by hands that had long since disappeared.
Then, through the mist, came the sound of wood against water.
Slowly, impossibly, a ship emerged.
It belonged to another age.
I grew up around Hamilton jet boats.
My uncle was one of the first jet boat captains in the world. My brothers suddenly had rivers they could explore, disappearing up shallow, rocky waterways chasing deer in places no ordinary boat could reach.
Long before tourists paid to be frightened, I was the child hanging on for dear life while my uncle wore the grin of a man who knew exactly what he was doing.
It was an exciting time.
We were part of history and never even knew it.
What was it about this boat that made it so special? Was it the thrills, the spills and the excitement? For me, yes, most certainly.
But the real story was far greater than the spray, the speed and the laughter.
Sir William Hamilton gave the world the machine, but machines do not make history by themselves. They need people willing to trust them, master them and discover what they are truly capable of.
It takes pioneers to give captains something to work with.
Hamilton created the possibility.
The early jet boat captains proved it.
They were not simply driving boats.
They were exploring the boundaries of what those boats could do.
Read more: The Dreamers and the Daredevils - Every Pioneer Needs a Captain
When I tell people I’m a beek, inevitably the first thing they say is, “Yes, we need to save the bees! They’re very important!”. While totally true, it is a noble statement that I cannot claim. I was dragged into beekeeping, kicking and screaming… well almost.
When people say, “We need to save the bees,” they usually imagine someone passionate, fearless, and purpose-driven in a white veil suit.
That wasn’t me. I didn’t plan to become a beekeeper—in fact, I was dragged into it by necessity, not nature.
What began as a practical solution to a tax issue soon turned into something much more: a lesson in courage, humility, and the quiet brilliance of life inside the hive.
On the night of 16–17 July 1918, in the basement of the Ipatiev House in Yekaterinburg, a line was crossed that history should never forget.
Tsar Nicholas II, Empress Alexandra, their five children - Olga, Tatiana, Maria, Anastasia, and Alexei - and several loyal servants were taken downstairs under the pretense that they were being moved to safety.
They were not.
They were met by a Bolshevik execution squad.
The killing was chaotic and brutal. The first volley failed to achieve its purpose. Bullets struck jewels sewn into the clothing of the Grand Duchesses. Bayonets and close-range shots were used to finish what the rifles had begun.
The bodies were removed, concealed, and for years the full truth was hidden by the regime that followed.
It was not merely the murder of a royal family.
It was the destruction of a symbol.
And that is why the basement at Yekaterinburg still matters.
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